Archive for the 'Recording' Category

Aug 14 2009

The Revolution vs. the Evolution

Published by gatorjj under Gator-Studios.com, Recording

No Gravatar

It’s amazing how short-sighted people can be, at least in my opinion.  Some people do things that revolutionize the world.  Some people make a big splash evolving the world.  And we seem to go gaga over the evolution guys and not the revolutionaries.

Am I talking politics?  Nah, actually I’m talking music.  Les Paul died today.  On my birthday, of all days.  We all know him from the guitar that bears his name, but he’s far more fascinating and influential than just a name on a headstock of a guitar.  If you don’t believe me, spend some time reading up or watching biographies of the man.

Anywhoo, an old friend posted on facebook a nice farewell and how he touched so many millions.  I echoed the sentiment, and said  his contributions were so significant his coverage should dwarf Michael Jacksons.   And some dude, maybe I went to high school with, maybe who’s life is stuck in 1984, posted this:

“Les Paul memorials should dwarf the response about Michael Jackson.”

DING DING DING We have a winner for most absurdly hyperbolic statement!

Sorry, but let’s try and keep a dose of perspective on hand. Les Paul was a brilliant pioneer in a niche area that directly affected thousands. MJ was a global icon who at one point in time was, arguably, one of the most influential people on the planet.

Yeah…

So, let’s think about this for a minute.  Let’s skip the Michael Jackson of the last 20 or so years, let’s ignore allegations of all sorts of things, all the things we know he denied he did that we now know he did.  Let’s purely talk about his impact on music, and on the world.

Michael in his day was a fabulous songwriter.  A fabulous singer.  An amazing dancer.   Arguably in the early and mid-80s he was the best.  Like the Beatles in the 60’s were.  Like Elvis in the 50’s.  And the Bee Gees in the 70s.  He had an amazing run for several years.  And then pretty much only showed up on our radars when he wasn’t paying his bills, was holding his kids out windows, or in court.  Hey man, that’s fine, but has nothing to do with music.   For the last 20 years he’s been that guy who was amazing in the 80’s that now makes for good TV on slow news days.

Now…let’s think about Michael Jackson recording like Benny Goodman did.  A couple mics, spread the guys around, play live, record to wax and hope everything is good enough to keep the take.  Michael always danced around, bobbing, snapping, tapping while he was singing, and they never could get him to stop.  The perfect recipe for a recording disaster, unless you can edit individual tracks.  Which brings me to the man.

The story goes in olden times you recorded directly to wax (which became the mold for record).  Somebody figured out how to record to magnetized wire, but it sucked.  Apparently those crafty German Socialists made magnetic tape work (when they weren’t busy trying to remake the world into what they thought it should be), and Les Paul was given one of the captured machines in 1946.  Short story is he is the father of looping, multi-track recording, and the guide of things we had to do until the 90’s, which is plan out the optimum order to record and bounce tracks to keep the song sounding good.  Ever wonder why the drums, bass and rhythm guitars usually get done early and the vocals get dones last?  Bouncing would lose it’s fidelity with every take and Les figured out these tracks could stand the degradation better but the vocals and leads needed to be clear, and thus recorded last.  We don’t need to do that any more, but usually we still do.  We are drones lol

This wasn’t like the Wright Brothers being the first to fly.  There were a bunch of other folks trying to be the first with a plane.  Multi tracking and looping was a concept so foreign that he disguised it as magic for a long time.  He confounded President Eisenhower and VP Nixon with it at the White House.  The trick was a novelty on TV.  He was the Criss Angel of the 50’s.

Les Paul fundamentally changed music forever.  All music.  Not just pop music in the 80s.  Think about Sgt. Peppers sounding like Buddy Holly.  Think about Dark Side of the Moon sounding like Chubby Checker.  Wolfman Jack talking over Pink Floyd.  Well maybe not that bad lol

Geez, I didn’t even mention the dude basically invented the electric guitar in the ’30s.  Or that he and his wife were topping the charts as performers for several years.  Or that after a horrific car wreck while on the road playing, he talked the doctor out of amputating his bum arm and instead into setting it permanently at a 90 degree angle…so he could still maybe still play guitar.  (Would the US government let him do that? okay okay…lol)  How about that he kept playing guitar for another 50+ years, and played out weekly almost until his death?

So we have one dude, who was top of his game for a while that got all weirded out, it eventually caught up with him and he’s dead.  Like a lot of other stars.  A month later another dude, who created groundbreaking concepts, figured out how to do them, enabled the world of music to be what it has been the last 40-60 years, beat all odds to keep playing music for almost a century, he’s dead too.

Why does the evolution get all the play, and the revolution gets a footnote?  Is it the freakshow aspect?  Is it because one guy was popular 20 years ago instead of 60?  Do we just gauge the relevance and importance by how the media treats it?

I won’t take anything away from Michael Jackson, he was incredible in his time and deserves any attention he got.  As a songwriter myself I’ve studied his works and he brought it all to the table.  And you folks in LA, if you want to throw a million bucks into holding a funeral you’re welcome to it.  But making Les Paul’s death a scrolling footnote on a news channel is not the way to be.   The man had an incredible life, was amazingly creative and smart enough to make the things he thought of work, which dramatically changed music forever.   And a great performer and guitar player in a time when folks didn’t dance or hide behind fog or explosions.

It just seems to me, it’s like comparing George Washington to Bill Clinton and saying “Washington just chopped down a cherry tree, and not a lot of people really care about cherry trees any more”.  Rarely do people come along in the world that have so much impact, especially impact that redefines a whole segment of life.  We should recognize and celebrate that.  So I celebrate the man and the revolution he created – he’s the reason why we can do what we do here.  The rest of us drones would have just kept doing things like we had before, and we’d still be cutting mono wax discs run by a falling weight.  Thanks Les!!!  This dude was inspired for a long time by you, and I will miss you.

No responses yet

Jul 06 2009

The Official GatorReview of Sonoma’s FourTrack!

No Gravatar

iphone_ftscreenshotSonoma Wire Works has had FourTrack out for a while, but I’m just getting around to iPhoning myself so I’ll give a review of it!  First off, FourTrack is a four-track.  What the heck is a four-track?  Let’s look at some brief history.

Back in “the day” (as in way back in the early 1960’s and before), recording was a little bit different than today.  Good studios had things like record-cutting lathes, driven by a falling weight.  Gravity was much better at keeping time than motors of the day.  In these olden times, you didn’t mix tracks, you mixed people.  You moved the people around to balance the sound into the mic.  I guess if you told them to move closer in certain sections, they were the original automated faders!  They played live, it cut the wax, and if the take was good it was done.

I’ll skip the Les Paul part (you should read up on the man, we wouldn’t be here in recording without him), but the jist is it was figured out how to record more than 1 track at a time, with tape.  It cost a bunch of money, but it was doable so over time studios with a bunch of money started putting them in.  Let’s keep the cliff notes version going…in 1967 the Beatles released “Sgt. Pepper’s” which was recorded on…a four track.

Continue Reading »

No responses yet

Apr 02 2009

Thanking our friends

Published by gatorjj under Gator-Studios.com, RiffWorks

No Gravatar

These days I see way more advertising, way more special deals (and so-called special deals) flooding my inbox than ever before.  Businesses that have been around for a very long time going out of existence in a very short time.  Lots of “friends” always looking for a job, then disappearing when I don’t have anything to offer them.  Sad times indeed!

 

Fear not, the great companies will survive because they will continue to market, sell, and find creative ways to hang in there.  This commitment and creativity will set them apart when things pick up and really launch them.  The old dogs tend to get complacent and then uncertain, and the leading companies of the last boom are usually not the great ones of the next boom.  Times like these are opportunities for those who are prepared to weather them, and have the conviction to plow ahead!  Oh by the way…we plan to be one of these :D

  Continue Reading »

2 responses so far

Feb 13 2009

The long unfinished history of Gator’s songwriting

Published by gatorjj under Personal, Recording, Songwriting

No Gravatar

Let’s step back in time.  Way back.  Like 1979 back.  I was 12 and had been playing guitar for a year or two, my $35 Acoustic from the MAE store in Ft. Lauderdale.  In 1979 I wrote a song, and played/sang it in music class.  I don’t know what possessed me to do that, but I did…and my friends were amazed at the whole thing.  When I think back, I had a lot of song ideas back then.  I probably was some child prodigy genius to them lol

 

Alas, it was 1979.  Double-digit inflation 1979.  Stagflation 1979.  Jimmy Carter 1979.  Let’s just say money was tight, and unlike these days people didn’t take any little glimmer of talent in their kids and blow a million bucks trying to make them into the next baseball star or music sensation.  So while I had all these ideas, there wasn’t much I could do with it.  At 13 I “upgraded” to a $50 electric guitar from Sears (with action about as high as a 2 story building), not exactly a shred machine, and after a while I got busy with other things and didn’t do much with it, just messing around from time to time.  I saw some friends going way beyond what I could do so I didn’t see much point then.

  Continue Reading »

4 responses so far

Jan 23 2009

Open for comments!

No Gravatar

Hey all, I had shut off anonymous comments because the spambots had found me.  I opened it back up a couple weeks ago and it appears they’ve moved on (whew!).  I’ll try to keep it open, if they come back maybe I can find a CAPTCHA or something to keep things clean.  Also, if you’re into RSS Feeds, you can subscribe to the GatorBlog as well, just grab the feed down on the left where it says “Feeds RSS” or from this link.  I try to address mainly recording topics, though I do get distracted by life on occasion!

 

Speaking of recording topics, I have a couple RiffWorks tutorials on the website that have been viewed thousands of times (I hope by real people instead of spambots lol).  You can check them out at http://audio.gator-studios.com/ if you’re interested.

 

If you’ve used these, I’d like to know if you’ve found them useful for getting better results from RiffWorks?

 

Cheers, J.J.

3 responses so far

Dec 12 2008

The Riffworks 32-bit blog

No Gravatar

Welcome to the official Gator-Studios.com Riffworks 32-bit blog!

  Continue Reading »

No responses yet

Oct 21 2008

Let’s Talk MP3’s and quality

Published by gatorjj under Gator-Studios.com, Recording

No Gravatar

Hey all!  It’s been a while (and a hell of a day job ride lol) since I last blogged about anything useful to the home recorders out there, so while I’m awaiting feedback on a mix ‘n master job I’m doing (some rockin’ stuff by the way!), I thought I’d talk about MP3 quality.  And point 1 is…MP3 QUALITY SUCKS!!!!

 

Continue Reading »

No responses yet

Sep 26 2008

All over now!

Published by gatorjj under Personal, Recording, Songwriting

No Gravatar

After 17 years and some-odd months, my career at Nortel is over.  Okay, it was probably over several years ago but I kept trying to find that “spot” where I fit and could make a difference and get rewarded for it.  It hasn’t been the place to have that happen for me, too many criteria I don’t fit in and the place has been going downhill for a long long time.

 

Continue Reading »

No responses yet

Aug 09 2008

A long and boring thesis about monitors and acoustic treatment (part 6, conclusion!)

Published by gatorjj under Recording

No Gravatar

I think back to when I started in this room 3 years ago and the slap echo (when you clap) was unbelievable.  And yet I went ahead believing since I was recording direct through a PODxt at the time acoustics didn’t matter. 

 

If you can’t truly hear what a GuitarPort patch sounds like, well, then it does matter.  It matters when you choose your tone, it matters when you add other tones, it matters when you add bass, vocals, etc.  If you can’t hear what it is really going in, by the time you get to the mix you’re already in a bit of trouble.  If you mix in the same environment, it will add up even more.  You will make bigger wrong decisions because you have more bad information.  And if you try and master it too…

 

Continue Reading »

No responses yet

Aug 09 2008

A long and boring thesis about monitors and acoustic treatment (part 5, where we’re at now!)

Published by gatorjj under Recording

No Gravatar

Part 5 is where we’re at.  If you want to skip the first 4 parts that’s great, so long as you take what I have to say right now as gospel. 

 

“I WISH I WISH I WISH SOMEBODY WOULD HAVE INSISTED TO ME THAT I START WITH MONITORS AND PROPER ACOUSTIC TREATMENT ON DAY 1.”

Seriously.  For something like time that I thought was “free” I wasted a ton of it.  Avoiding what I should have started with in the first place. 

  Continue Reading »

No responses yet

Next »

GatorBlog is using WP-Gravatar